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  • considered from all perspectives (4.3 Octave Alternate)

considered from all perspectives (4.3 Octave Alternate)

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This work is written in three parts. After a brief introduction, the opening

section is built around a 6-tone pitch collection: 2 diminished chords with roots

separated by a whole step. The collection of pitches is put through its paces as

far as transposition, inversion, and so on, trying to maximize the usefulness of

that collection of tones.

The middle section is written from a perspective of “free atonality,” exploring

various timbres created by the combinations of different colors, coming back to

sound of three Perfect 5ths in Combination: D to A, A to E, and E to B.

The last section makes use of the octotonic (or diminished) scale, wrapping

highly angular lines all around the keyboard as the pieces flies to its flourishing

finish.

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  • Home
  • Original Works
    • Consortium: "Red-Eye"
    • Copyright Permission Request
    • Purchase Scores
  • Media
    • Custom Projects
    • "Mandatory Social Distancing"
    • "Canticum..." Virtual Choir
    • Black Lives Matter
  • Marching Band
    • Clients
    • Past Shows
  • Lessons
  • About Ryan
    • Get in Touch
    • Blog
    • Academic Writings